All the differences between the “Bridgerton” books and the TV show

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Both in visual and written form, fans of Bridgerton were transported to Mayfair, London in 1813, ushered into a glamorous world of fancy balls, powerful families, calculated courtship and, of course, sensational scandal. The Netflix show, which debuted on December 25, 2020, is based on the eight-book series by author Julia Quinn. Although the plots of the period drama mirror those of the romance novels quite closely, there are still some differences.

New characters are introduced, such as Queen Charlotte and milliner Geneviève Delacroix, and some subplots are reimagined. But Quinn agrees: “I feel the need to assure all of my readers and just say, listen, this isn’t a word-for-word adaptation, but it shouldn’t be, and I don’t want it to be. the case,” she said. Weekly entertainment in 2020. “A word-for-word adaptation of my books wouldn’t make a great television series. But an adaptation where you have my characters and my stories, but giving it new life is amazing. It’s again, I mean, I have no words and I’m writing words for a living, and it’s just – I’m so excited about it.

So dear readers, to know all the differences between the Bridgerton books and the Netflix series, scroll.

Daphne’s introduction to Regency London high society

In the first season of Bridgerton, Daphne is described as “flawless” and “a diamond of the first water” after her debut in front of Queen Charlotte. But in Quinn’s novel, Daphne isn’t exactly as desired in the Ton. In fact, in The duke & meBridgerton’s eldest daughter enters her second social season, as most eligible men in town see her more as a friend than a potential wife.

First meeting of Daphne and Simon

The two meet at a ball in the Netflix series and in the book, but the encounter plays out a little differently. In the first episode of Bridgerton, Daphne unwittingly bumps into Simon in an attempt to escape Lord Nigel Berbrooke. In The duke & me, Simon hides from the advances of the debutantes and ends up listening to Daphne and Lord Berbrooke’s conversation. After Daphne punches Lord Berbrooke for his strength, Simon steps in and just can’t take his attention away from Daphne.

The Duke of Hastings does not box

Simon’s boxing with his friend Will Mondrich is a prevalent subplot throughout the first season of Bridgerton. But his involvement in sports is non-existent in the book series.

Anthony knew about Daphne and Simon’s scheme

In the Netflix series, Anthony, the first born Bridgerton, is extremely protector of Daphne and anxious to preserve the family’s reputation. However, he isn’t as authoritative in the books. As Daphne and Simon swear to keep their alleged courtship a secret on the show, they decide to tell Anthony about their plan in the book. Anthony accepts the situation under three conditions: it remains a secret, Simon and Daphne are never alone together, and Simon doesn’t even think about stealing Daphne’s honor.

Lord Featherington’s relationship with Lady Featherington

Lord Featherington gambles his family’s fortune and leaves them penniless after his death in the Season 1 finale. But the Featherington patriarch is rarely mentioned in the book series. In fact, he has already been dead for three years in The duke & me.

Simon’s stutter doesn’t completely go away

Simon hasn’t fully overcome his stutter in the book series, and it’s not Lady Danbury who helps him. On the contrary, a woman named Nurse Hopkins assists him in his childhood.

Daphne and Simon’s controversial bedroom scene

In episode six, Daphne realizes that Simon used the withdrawal method during sex to deliberately avoid getting her pregnant. She feels betrayed and deceived by her new husband, so the next time they have sex, she positions herself in a way that he is unable to pull out, despite her protests. The scene sparked debate among viewers. Even though both participants consented to the sex at first, Daphne clearly took advantage of the Duke’s vulnerable state and forced him to do the one thing he was adamant not to do.

In the book, Simon comes home drunk and falls asleep. Daphne wakes him up and takes advantage of his inebriation, knowing full well that he won’t be able to pull out until he climaxes. Simon never consented. Régé-Jean Page, who played the Duke of Hastings in the Netflix series, said OprahMag.com“I was very happy that we had a different scene in the TV show than in the book.”

Quinn’s book series isn’t about race

by Netflix Bridgerton places black citizens in positions of high rank and power, and season two’s Sharma family comes from India. In Quinn’s book series, all characters are presumably white.

Many historians believe that Queen Charlotte, played by actress Golda Rosheuvel, was England’s first mixed-race royal. “It’s so empowering for an actress to have that background and that feeling that someone in the 1800s could have fought for their people and could have fought for representation,” the actress said. Initiated in 2020.

There are a number of new characters introduced in the Netflix series

Siena Rosso (Anthony’s mistress), Queen Charlotte, Prince Friederich, dressmaker Geneviève Delacroix, artist Henry Granville and Lord Featherington are all virtually non-existent characters in Quinn’s series.

Marina Thompson isn’t a major character in Quinn’s The duke & me

Marina arrives in Mayfair, London as a cousin of the Featheringtons and is pregnant by a man named George Crane, who died in action. But Marina is only a character mentioned in passing in the fifth Bridgerton delivered, To Sir Phillip, with love, as the deceased wife of Sir Phillip Crane (whom Marina eventually marries in the Netflix series). She’s also a cousin of the Bridgertons, not the Featheringtons.

The revelation of Lady Whistledown’s identity

Lady Whistledown is revealed to be Penelope Featherington in the Season 1 finale, a truth not uncovered until the book series’ fourth installment, Romancing Mr. Bridgerton.

In an interview with decision maker, showrunner Chris Van Dusen explained why the identity of the gossips was revealed so early: “For me, it felt like the time was right,” he shared. “I think there were always two leads for us in the writers room watching Lady Whistledown. We knew there was a section of the audience that had read the books and had their thoughts and theories about who Lady Whistledown was. Then there was a whole new group of people who didn’t know the books as well and had no idea what Lady Whistledown was about. It was about keeping the mystery alive and fun for fans of the books, but also never being one step ahead of it. Never telegraph where we are going.

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